Panel on Surveillance, Security, and Insurgent Aesthetics Speakers: Simone Browne and Ronak Kapadia

Racial Capitalism
Racial Capitalism

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Voorhies 126

Simone Browne is Associate Professor in the Department of African and African Diaspora Studies at the University of Texas at Austin. Her first book, Dark Matters: On the Surveillance of Blackness, was awarded the 2016 Lora Romero First Book Publication Prize by the American Studies Association, the 2016 Surveillance Studies Book Prize by the Surveillance Studies Network, and the 2015 Donald McGannon Award for Social and Ethical Relevance in Communications Technology Research. Simone is also a member of Deep Lab, a feminist collaborative composed of artists, engineers, hackers, writers, and theorists. During her year at Yale University as a Visiting Presidential Fellow (2018-2019) she will teach, and conduct new research on electronic waste and effective microorganism to ask questions about the ecology of surveillance technologies, as well as curate an upcoming exhibition and year of arts programming at the University of Texas at Austin on Black women’s creative engagement with surveillance.

Ronak K. Kapadia is Associate Professor of Gender and Women’s Studies and affiliated faculty in Art History, Global Asian Studies, and Museum & Exhibition Studies at the University of Illinois at Chicago. An interdisciplinary cultural theorist of race, security, sensation, and empire in the late 20th and early 21st century United States, Kapadia is author of Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke UP 2019). This book theorizes the world-making potential of contemporary artistic responses to US militarism in the Greater Middle East. Kapadia traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US War on Terror’s violent destruction and its impacts on immigrant and refugee communities.

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